Biography on Alvin Ailey
Alvin Ailey was
born in Texas in 1931, he was the choreographer who founded the Alvin Ailey
American Dance Theatre in 1958. The
Alvin Ailey American Dance theatre was known for demonstrating issues of which
effected the African American Culture such as multi- racial issues i.e.
segregation and equality. It establishes using and representing modern dance
around the world. One of his best known dance work is “Revelations” which
connotes and shows a spiritual meaning. As, the dance displays and shows Alvin
Ailey’s life in stages such as baptism and going to church. He wanted to make modern dance known as a
whole and for it to be recognized. Alvin Ailey played an important role within
establishing black modern dance. Through being one of the most successful
choreographer in America.
He became a noted
Broadway dancer, and in the late 1950’s became a choreographer of work that
explored a wide and vast range. Alvin Ailey became less of an important
figure/role within the African American Culture of 20th century modern
dance. He grew up in a small area of within Texas in the town “Navasota”. One
of Alvin Ailey’s main inspirations is that he grew up in church services that he
attended. Also, the music that he heard within his local dance class. This
inspired through what type of music he used in his piece which was gospel
music. Ailey was encouraged to follow dancing. He launched reading modern dance
with Lester Horton in 1949. Furthermore, he joined Horton's dance company the
following year.
Some of his key
career highlights consists of Ailey achieved his greatest fame with his own
dance company, which he founded in 1958. That same year, he debuted Blues Suite,
a piece that drew from his southern roots. Another of his major early works was
Revelations, which drew inspiration from the African American music of his
youth and young age by attending church services. “Revelations came from
Ailey's "'blood memories' of his childhood in rural Texas and the Baptist
Church."
The company was
known for its vibrant artistry.
He stopped
performing in the mid-1960s, but he continued to choreograph several
masterpieces such as “Ailey's Masakela Language”. Furthermore, he also expanded
his dance company by establishing the Alvin Ailey Repertory Ensemble of within
the same year. This was known as one of Alvin Ailey’s best accomplishes.
In 1988,
Ailey was privileged by the Kennedy Centre for his huge contributions to the
arts.
Alvin Ailey
"had a big heart and a tremendous love of the dance," dancer Mikhail
Baryshnikov told The New York Times, adding, "His work made an important
contribution to American culture."
Despite his
ultimate death, Ailey continues to be an important figure in the arts through
the ballets he created. He was an illustration of a important figure in modern
dance as a current art form in America.
“Ailey
directed the growth of his small, pick-up group of seven dancers into a large,
carefully managed, internationally-renowned enterprise including several
companies of dancers.”
Ailey also changed
the landscape of modern dance through the use of developing new audiences for
its performance through a consistence combination through its use of “creativity
and artistry”. His creative imagination through dance was based on the creative
artistry of “blood memories” of some of the cultural formations that he
witnessed as a youth. He learnt so much through being an African American
within the depression-era south. For example, he learnt that he had to work
twice as hard as a black person. In order, to succeed and achieve. Ailey wanted
his dance pieces not only to connect to the audience spiritually but
emotionally too as well. He wanted his entire dance to match with imaginary
story telling.
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